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'Down Beat' uma das revistas jazz n-americanas
02-07-2019
 

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DownBeat

July 2019 News I Current I Archives I Reviews I Jazz School I Subscribe

Cécile McLorin Salvant performs at the New Orleans Jazz & Heritage Festival on May 3.

(Photo: Adam McCullough)

Salvant Tops 2019 DownBeat Critics Poll

Singer-songwriter Cécile McLorin Salvant is among the artists who topped multiple categories in the 2019 DownBeat International Critcs Poll, winning Jazz Artist of the Year and Female Vocalist of the Year. She has generated tremendous…

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Tacuma and The Last Poets Move Beyond the Nation’s Combative Moment

Jamaaladeen Tacuma, the electric bassist best known for his years with Ornette Coleman’s Prime Time, has independently produced a convention-defying album that’s both…

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Jenny Scheinman on Risk, Adventure and Starting a New Band with Allison Miller

Jenny Scheinman admits she’s led a charmed life, as far as her music career goes. The violinist is unlike a number of contemporary jazz musicians in that she never studied music…

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Andrew Cyrille’s Deftly Calibrated Drumming Showcased at Vision Festival

Free-jazz percussionist Andrew Cyrille introduced tenor player Edward “Kidd” Jordan from behind the kit at Brooklyn’s Roulette on June 11, the opening night of the 2019…

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Premiere: Hear a Tune From Eliane Elias’ Upcoming Album, ‘Love Stories’

Pinging among jazz, Brazilian and classical music, Eliane Elias has been stitching personalized details into recordings since the mid-1980s.

Last year’s Music From The Man Of…

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REVIEWS // EDITORS’ PICKS
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1BY Ed Enright
Mike Clark, Indigo Blue: Live At The Iridium
(Ropeadope)

Drummer Mike Clark, whose work with Herbie Hancock and The Headhunters in the 1970s expertly straddled the jazz-funk divide and generated enough aural excitement to influence multiple generations of players, indulges his straightahead side on this live…

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1BY Bobby Reed
BT ALC Big Band, The Search For Peace
(Ropeadope)

Co-led by trombonist Brian Thomas and trumpeter Alex Lee-Clark, the 19-piece BT ALC Big Band succeeds in funking up one of the most storied traditions in jazz. The Boston-based big band’s fourth album, The Search For Peace, reflects an artistic debt to funk…

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1BY Bobby Reed
Dock In Absolute, Unlikely
(CAM Jazz)

A quirky name, an unusual home base and an aesthetic centered on deep melodicism are all factors that make Dock In Absolute an intriguing band.

On its sophomore album, Unlikely, the Luxembourg-based trio—Jean-Philippe Koch (piano), David Kintziger…

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1BY J.D. Considine
Sylvie Courvoisier/Mark Feldman, Time Gone Out
(Intakt)

On the face of it, a piano and violin duo seems less like a jazz project than something from the classical realm, and if you’re listening for the traditional tropes of mainstream jazz—blue notes, swung eighths, regularly recurring chord changes—you…

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1BY Dave Cantor
Nature Work, Nature Work
(Sunnyside)

In Chicago, Sun Ra compositions rank as repertoire with chimerical improv being the lingua franca.

Ample evidence comes on the quartet recording by Nature Work, helmed by the city’s Greg Ward on alto saxophone and Jason Stein on bass clarinet.…

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1BY Dave Cantor
Elephant9, Psychedelic Backfire I/II
(Rune Grammofon)

Jammy Oslo-bred fusion trio Elephant9, now more than a decade into life, offers up a pair of live recordings on Psychedelic Backfire I and II that seethe with aggression and recline with tranquility.

Revisiting its recorded past in a live setting at…

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1BY Dave Cantor
Marlene Rosenberg, MLK Convergence
(Origin)

If you don’t know bassist Marlene Rosenberg from her work with Paul Wertico or Ed Thigpen, OK. But she’s gigged with a virtual murderers’ row of players and had Makaya McCraven in her group before most folks had heard the drummer’s name.

Origin…

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1BY J.D. Considine
Michael Winograd, Kosher Style
(OU People)

There was a time, back in the 1960s, when klezmer was considered not just retro but actually dead, and those who played it were not practitioners but revivalists. Clarinetist Michael Winograd grew up in that era, but plays like a skeptic—listening to him,…

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1BY Bobby Reed
The Hot Sardines, Welcome Home, Bon Voyage
(Eleven)

If one had never heard the music of The Hot Sardines but had seen a recent photo of the octet onstage, it would be easy to assume that vocalist and co-leader Elizabeth Bougerol’s washboard is the most unusual aspect of the band’s instrumentation. But that…
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CLASSIC INTERVIEW
Small hrClassic

by Dave Dexter Jr. // November 1, 1939
Billie Holiday for the First Time Tells Why She Left Shaw & Basie: ‘Too Many Bad Kicks’

CHICAGO—You sit with Billie Holiday and watch her smoke cigarettes chain fashion. The first thing that strikes you is her frankness.

“I’ll never sing with a dance band again,” she tells you. “Because it never works out right for me. They wonder why I left Count Basie, and why I left Artie Shaw. Well, I’ll tell you why—and I’ve…


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